内容简介

In the early eighteenth century, a woman finds herself set adrift from a mutinous ship and cast ashore on a remote desert island. There she finds shelter with its only other inhabitants: a man named Cruso and his tongueless slave Friday. In time, she builds a life for herself as Cruso's companion and, eventually, his lover. At last, they are rescued by a passing ship, but only she and Friday survive the journey back to London. Determined to have her story told, she pursues the eminent man of letters Daniel Foe in the hope that he will truthfully relate her memories to the world. But with Cruso dead, Friday incapable of speech and Foe himself intent on reshaping her narrative, Barton struggles to maintain her grip on the past, only to fall victim to the seduction and tyranny of storytelling itself. Treacherous, elegant and unexpectedly moving, "Foe" remains one of the most exquisitely composed of this pre-eminent author's works.

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豆瓣评论

  • Confetti
    也许有一天我们醒来,发现自己在一个普通的周六午后,阳光照着普通的小镇,但却发现自己已身在永恒之中。(读这本书真是一种折磨,还被折磨了两遍。恐怕未来还得回来再受一遍折磨,才能读懂一部分吧。)2022-05-16
  • Ray
    auhoriship2019-10-02
  • 未命名 神经病
    苏珊前往巴西寻找被抢走的女儿,在途中遭到叛变后流落荒岛,遇见克鲁索以及他失去舌头的黑奴星期五,在经历了克鲁索的去世后苏珊带着星期五回到英国,她对星期五的残疾产生了许多无法被解答的困惑。苏珊想要如实地书写下这一切,但她认为自己拿捏不好书写的艺术,她将福先生看作是技艺高超的书写者,是能够书写她故事的人。但见到福先生之后,她发现福先生为了使她的故事引人入胜,擅自篡改了大部分情节,她想要的真实在福先生看来令人感到困倦和无聊,他提出读者将不会太感兴趣她在荒岛上枯燥的生活以及星期五的故事,因此福先生围绕着苏珊丢失的女儿设计了一个从母亲寻女到女儿寻母的五部曲,其中加入海盗和食人生番等奇闻逸事。苏珊和一个由福先生派来的虚假的女儿相见,她真实的遭遇变成一个更大的叙事里的“调味剂”2021-01-09

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