内容简介

Since his death in 1989, John Cassavettes has become increasingly renowned as a cinematic hero--a renegade loner who fought the Hollywood system, steering his own creative course in a career spanning thirty years. Having already established himself as an actor, he struck out as a filmmaker in 1959 with Shadows, and proceeded to build a formidable body of work, including such classics as Faces, Woman Under the Influence, The Killing of a Chinese Bookie, and Gloria. In Cassavettes on Cassavettes, Ray Carney presents the great director in his own words--frank, uncompromising, humane, and passionate about life and art.


From Publishers Weekly

"Cassavetes' films were quarried from his most private feelings and experiences," writes editor Ray Carney in his introduction to Cassavetes on Cassavetes, and then illustrates his point with the writings, interviews and recorded conversations of a beloved cult figure. First an actor and then a director (Faces; A Woman Under the Influence), John Cassavete...

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豆瓣评论

  • Difficult Boy
    “拥有一种哲学就是去了解如何爱、在何处安置爱、去了解友谊和持续的重要。其他所有哲学,负面的哲学,看起来都把哲学变得现代也更混账了。我不认为人可以没有哲学而生存,也就是说,你在何处能够爱,那个你能放置你的爱的重要地方是哪里(因为除了它你无处可放)?你可以像大臣和神父一样四处说‘是的,我的孩子,祝福你’,但人们不是那样生活的。生活中有愤怒、敌对、问题、贫穷...人们的生活中有巨大的失望,所以他们需要一种哲学。某种程度上我认为每个人需要的是说,‘我在何处、如何爱?我能坠入爱而得以生存下去吗?我能因此获得某种安宁吗?’我们拍的每一部电影都是为了让角色去找到一种哲学,所以我需要角色真的去分析爱,讨论它、毁灭它,互相伤害...我感兴趣的只有爱和它的匮乏、当爱停止、我们真正需要的东西被夺走引起的伤痛。”2021-06-04
  • 好样的
    真的毫不亚于法国新浪潮。而且二者出现的时间也基本一样呢。A woman under the influence那整整一章虽然都只是访谈和评论但读起来一直是神经紧绷的状态。非常励志呢。2016-09-21
  • 书翎
    "Not a saint, not a visionary, not a hero – but a man." He was the quintessential outsider – a lone wolf hidden behind a wall of jokes and routines. Wherever he was, he wasn’t really there. Say what you are. Not what you would like to be. Not what you have to be. Just say what you are. And what you are is good enough.2024-04-23

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