内容简介

In this ground-breaking and influential study Fredric Jameson explores the complex place and function of literature within culture. At the time Jameson was actually writing the book, in the mid to late seventies, there was a major reaction against deconstruction and poststructuralism. As one of the most significant literary theorists, Jameson found himself in the unenviable position of wanting to defend his intellectual past yet keep an eye on the future. With this book he carried it off beautifully. A landmark publication, The Political Unconscious takes its place as one of the most meaningful works of the twentieth century.


Fredric Jameson is Professor of French at Yale University. He is author of Marxism and Form; The Prison-House of Language; and Fables of Aggression: Wyndham Lewis, the Modernist as Fascist.

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豆瓣评论

  • Alexayi
    Marxian hermeneutics as dialectical reconciliation of suspicion and retrieval, of the symbolic and the textual. 2021-03-12
  • 日照充足
    不是第一次也不是最后一次。第一次中文没法看,英文老长句子要读很久。这次读有了一点理论基础,先读过了几篇用上了这本书的论文,反过来读好一点点。但是还是不是很行,必须要了解卢卡契的整体,阿尔图瑟的多重决定论,巴赫金的狂欢,格雷马斯的语义矩阵,所有元批评的对象,当然还有传统马克思最主要的几个概念,还要19世纪现实主义作品,还有康拉德的吉姆爷/黑水手/诺斯托洛姆。但是出乎意料的喜欢...这种对所有阐释方法的再次阐释,不追求最终答案而是暴露更多的问题的目标,Marxism as the last horizon. 还有可以从骇人的长句里隐约透出的热忱..另:sea as a no-space & as a strategy of containment/ the resulting tension. 2020-10-26
  • 散木
    非简化的马主义理论非常值得花功夫啃,探讨了很多根本的概念,比如interpretation, historicism, totality, mediation. 这些大问题在较一般的沿袭性论述中经常不被当成问题,只用作不言自明的术语或简单宣示立场。结尾几页詹姆逊说历史不会成为“one master code among many others”,读起来像是靠信仰和抒情匆匆作结,不过文字确实很动人,甚至有点像哈代:“历史伤人,它拒斥欲望,设立不可逾越之界限,无论是对个人还是集体实践,其诡计常颠倒行为本意,使结局既可憎又讽刺。“2024-05-19

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