内容简介

The first edition of "The Rhetoric of Fiction" transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms--such as "the implied author," "the postulated reader," and "the unreliable narrator"--have become part of the standard critical lexicon.

For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty years--two decades that Booth describes as "the richest in the history of the subject."


Wayne C. Booth (1921–2005) was the George M. Pullman Distinguished Service Professor Emeritus in English Language and Literature at the University of Chicago. His many books include The Rhetoric of Fiction and For the Love of It: Amateuring and Its Rivals, both published by the University of Chicago Press.

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豆瓣评论

  • 摆烂人生
    抱着去理解“隐含作者”概念而读的,并没能全部解决我的疑问。但这本书的确也给了我很多启示。似乎所有问题的解决最终都归结为一个问题:什么是文学?2018-10-29
  • 重度酒精文lic
    老师说的英文名字应该是这本书。。现在确定了应该是这本书没错。。不过话说竟然林林总总的,通过阅读其他材料了解个皮毛了。。。为撒我们学校不做这种pre,差评啊2019-10-03
  • 醉脸春融
    越读越想快点读完,啰里八嗦,又臭又长,讲的一些道理我读初中那会儿就懂了。好好的句子不会写,非要这里加一个插入语,那里加一个括号,用的词也奇奇怪怪的。后记里面对Beckett中篇小说Company的分析简直不知所云。2020-05-16

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