内容简介

"Five Faces of Modernity" is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: "modernity," "avant-garde," "decadence," "kitsch," and "postmodernism." The concept of modernity--the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours--is a relatively recent Western invention and one whose time may already have passed, if we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise.

"Five Faces of Modernity" attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as "classicism," "baroque," "romanticism," "realism," or "symbolism" and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity.


马泰·卡林内斯库(1934—2009)

生于罗马尼亚,1973年起任职于美国印第安纳大学,担任比较文学系教授,后成为该校荣休教授。研究领域包括现代主义、后现代主义,以及文学、宗教、政治之间的关系,著有《文学与政治》(1982)、《现代主义与意识形态》(1986)等,与佛克马合编有《后现代主义探索》(1988)。

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豆瓣评论

  • 仍然是一本不错的学习设计或是艺术相关书籍2020-04-14
  • 陈美芳˙Ꙫ˙
    媚俗艺术的产生原因:①心理基础:享乐主义盛行,空闲时间消遣的需要;②现实技术:社会更迭,一种无所不在的变化感。2021-05-28
  • 啥贝马斯
    第一次读英文版 Kitch / Escapism...但本科时候读就有觉得所谓modernism/现代性在语境之中的转变很快,并不具有一个continuous signified2021-05-31

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