内容简介

From the #1 New York Times bestselling author of Killers of the Flower Moon, a page-turning story of shipwreck, survival, and savagery, culminating in a court martial that reveals a shocking truth. The powerful narrative reveals the deeper meaning of the events on The Wager, showing that it was not only the captain and crew who ended up on trial, but the very idea of empire.

"A tour de force of narrative nonfiction.” —The Wall Street Journal

On January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty’s Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as “the prize of all the oceans,” it had wrecked on a desolate island off the coast of Patagonia. The men, after being marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing nearly 3,000 miles of storm-wracked seas. They were greeted as heroes.

But then ... six months later, another, even more decrepit craft landed on the coast of Chile. This boat contained just three castaways, and they told a very different story. The thirty sailors who landed in Brazil were not heroes – they were mutineers. The first group responded with countercharges of their own, of a tyrannical and murderous senior officer and his henchmen. It became clear that while stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death—for whomever the court found guilty could hang.

The Wager is a grand tale of human behavior at the extremes told by one of our greatest nonfiction writers. Grann’s recreation of the hidden world on a British warship rivals the work of Patrick O’Brian, his portrayal of the castaways’ desperate straits stands up to the classics of survival writing such as The Endurance, and his account of the court martial has the savvy of a Scott Turow thriller. As always with Grann’s work, the incredible twists of the narrative hold the reader spellbound.

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豆瓣评论

  • allday2k
    “Death is at all times solemn, but never so much so as at sea.”2024-01-27
  • Pluto&Piaget
    4.5 之前我赞美作者耐心苦劳文笔这些基本功,看完结尾trial我震惊这人选题是卡夫卡级别。太多重不忠的记述者,狂啸的是文本,毁船的是时间,a whole storm of conflicting texts devastated & deconstructed itself 就连作者自己前半部所用的语气到后半部也简直欺瞒简直揭穿,他跋涉过的材料值得尊敬,那些他无可跋涉的更是/才是。Stranded, wrecked, shushed & cast away in history 争论都抵消了,若想帝国的记述言说传统不至解体就必须偶尔心照不宣如死般噤声。我想对于划着小艇的Kawesqar人来说这故事恐怕是全然不可理解,也许他们会提出根本无法翻译honour这个英文词。奥伯拉丁粉丝一定要看2023-09-27
  • 等等等等
    比小说好看的非虚构,page tuner. 船队从备船到招人就困难重重,出航后经历风暴,坏血病,西班牙人埋伏追击,wager沉船。饥饿,与世隔绝于荒岛,哗变,被抛弃,侥幸活下来的落入敌手再遭囚禁,千辛万苦回到英国还要与同僚公堂相见。感叹于人可以如此智慧顽强,如此兽性残酷!更惊叹于船队主船最后真的获得了西班牙船的宝藏载誉而归,太玄幻了。看完后回想觉得作者的记录方式很妥当,没有故作玄虚也不是平白直叙。最后无不讽刺地写道为了英国海军的荣誉munity 孰是孰非不了了只,更不要说那些被认为不值一提而抹去的记录。Jenkin’s ear war本身就是借口与帝国野心,苦了多少用命去赌荣誉与前途的船员。2023-09-24

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